Erin K. Maher [mɑr] is a musicologist who specializes in twentieth-century concert-music culture in the United States and France. She received her Ph.D. in 2016 from the University of North Carolina at Chapel Hill, where she completed her dissertation, “Darius Milhaud in the United States, 1940–71: Transatlantic Constructions of Musical Identity,” as a 2015-16 AAUW American Fellow. She currently teaches at Delaware Valley University in Doylestown, Pennsylvania.
Erin has presented her research at regional, national, and international conferences, including meetings of the Society for American Music and the American Musicological Society. Her publications include an article on Agnes de Mille’s ballet Black Ritual (Musical Quarterly, Fall 2014) and the annotated bibliography on Darius Milhaud for Oxford Bibliographies in Music (2017).