Erin K. Maher [mɑr] is a musicologist who specializes in twentieth-century concert-music culture in the United States and France. She received her Ph.D. in 2016 from the University of North Carolina at Chapel Hill, where she completed her dissertation, “Darius Milhaud in the United States, 1940–71: Transatlantic Constructions of Musical Identity,” as a 2015-16 AAUW American Fellow. She currently teaches at Delaware Valley University in Doylestown, Pennsylvania.
Erin has presented her research at meetings of the Society for American Music and the American Musicological Society, and her article on Agnes de Mille’s ballet Black Ritual appears in the Fall 2014 issue of The Musical Quarterly. She is a former Editorial Assistant of the Journal of the American Musicological Society (Vol. 66, 2013).